Framed Micro Portraits

Moments our clients chose to preserve

”What a duality! How can someone so big(by all standards) look so stunningly small. Without a doubt this work is my most precious possession, and the richest thing is to enter or leave the house and always see it there. (Well try to see it 😂) THE DAD painted in pencil by an Indian artist @sushmitkishore size 5mm”

- Daniela Ochoa Hoyos, Colombia

”I received the portrait and it looks so amazing! Thanks again”

- Stephanie Yung, Canada

”Thank you Artist 😍 Am in love with this unique gift”

- Farah, Dubai

"Hello Sushmit. Hope you are doing fine along with your family. Your artwork has literally made visitors gawk. People, on seeing it, are forgetting to ask some basic questions. They are dumbfounded. The artwork has found its way on a wall but within an easy reach. People, after overcoming an initial jolt, use the magnifying glass with more appreciation and blessings. And when they are told that Sushmit is just one year older than my son, their jaws drop again. Stay blessed. Stay creative.

- G. Banerjee, India

Images and testimonials shown are from separate commissions

At this scale, drawing is governed by limitation. Every mark occupies space that cannot be reclaimed without consequence. The process begins with observation and moves through controlled decisions, each one reducing what can be adjusted next.

No magnification, no machinery. Each portrait is drawn entirely by hand using graphite pencils, within a space of a few millimetres. What is seen must be translated directly at scale, with continuous verification to ensure that assumption does not replace observation.

The craft behind each portrait

______________________Sharpened to a point
finer than a needle

Each face behaves differently under reduction. Achieving likeness is not a matter of adding detail, but of identifying what must remain for the face to stay recognisable. What is unnecessary cannot be carried, and what is essential must be placed with accuracy under constraint.

Correction is not removal. Within areas smaller than a millimetre, the eraser reshapes rather than resets. An adjustment does not stay isolated; it affects the surrounding structure. The margin for error is narrow, and reversibility is never guaranteed.

The process operates as a feedback loop between seeing, evaluating, and adjusting. Every stage requires attention not only to what is drawn, but to how it is being interpreted in real time. What you receive is

the result of sustained control within conditions where precision and judgment are the only margins available.

Commission Details